Hans Skogen started to work with IBP in 2009. In the previous years he has designed the light for Kreutzer Kompani, Baktruppen, NONcompany among others. He has worked at BIT Teatergarasjen, Festspillene i Bergen and been a freelance light and sound designer since 2000. “Poppea” was his first collaboration with Ingun Bjørnsgaard Prosjekt, which was followed by “The Sea”, “Omega and the Deer” and “Praeambulum”.
For more than eight years Lutz Deppe worked as a photographer for various labels. In 1995 he works the first time exclusively with light. Together with Susanne Linke he realized the lighting for her dance film “Maerkische Landschaften”. After that he assisted Jean Kalman for the Opera de Lyon in “Lenz”, an opera by Wolfgang Rhim. He has since worked with many dance companies, directors and composers. With Yoshi Oidas “The Maids” he won the “Time Out Award 2003” in London. In the last years you could see his light installations, for example at the EXPO 2000, at the City de la Musique, Paris in 2003 and in the church Elisabeth 2010 in Berlin. He has worked with Ingun Bjørnsgaard on several productions: “Der tod und das mädchen”, “Hedda”, “Hotel Orfila” and “Rotating Nora”.
Jean Vincent Kerebel has been working with IBP since 1996. Following his graduation from the Centre Professionel de Formation Technician du Spectacle in Paris, Kerebel moved to Oslo in 1989. Since 1996, he has held the position of technical manager at the Black Box Theatre in Oslo.